Blog — ArtGallery

Breaking away from the conventional “lady and her cat” imagery, “YOU ARE NOT REAL” challenges the duality of woman and beast. The artworks boldly subvert societal expectations, questioning whether the woman is truly civilized or the cat truly tame. A celebration of wildness and rebellion, this series explores the balance between control and chaos, where boundaries are fluid and self-expression knows no limits.

In “Femme Fiasco,” an electrifying series of paintings, bold colors and exaggerated expressions fuse with humor to explore the union of women and animals as a reflection of nature and social identity. The series embraces the complexities and flaws often seen as “fiascos,” turning them into a celebration of nature’s force and unique value. This work invites viewers on a journey of self-reflection and the exploration of identity.

In this interview, Tallinn-based artist Katrin Valgemäe shares insights on her creative journey, the inspiration behind her exhibition “Queens of Chaos,” and the influence of the 90s in shaping her work. Valgemäe discusses the playful irony in her paintings, her reflections on consumerism, and the power of breaking free from societal norms. She also touches on her childhood, the influence of Finnish TV, and her rebellious attitude towards artistic expression.

In “16 Round Princesses,” artist Katrin Valgemäe reflects on her life and legacy through self-portraiture and humor. The series addresses the generational experiences of women in her family—her grandmother, mother, and daughter—confronting the ideals of femininity, love, and the fairy-tale dream of eternal happiness. Valgemäe uses humor and irony to explore the gap between childhood fantasies and the realities of adult life. This series ultimately questions the societal expectations of women and the pursuit of perfection.

In the exhibition “Contemporary Capitalist,” Katrin Valgemäe revisits her childhood in the USSR and the early 1990s in newly independent Estonia. Drawing from her memories of Finnish TV, advertisements, and foreign goods, she explores the paradox of being an outsider to the capitalist “paradise.” Through personal, nostalgic recollections and distorted memories, Valgemäe builds a playful reality that merges socialist influences with modern life, creating a symbiosis that evokes recognition yet feels uniquely new.